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To
honour the memory of her husband who passed away in
1995, Sumitra revived the Sumadhur Hansadhwani, an
institution originally founded by her and some others in
Calcutta in 1975 with the aim of propagating Indian
Classical Music and other forms of Art. Sumitra is the
founder President of this Institution, which is now a
Trust. Under its aegis, she holds classes in Hindustani Classical
Vocal at her residence. Her students include music
teachers and upcoming performing artists. The institution
advances the cause of classical music also by organising
annual functions at the Kamani Auditorium,New Delhi to which
other musicians and dancers - whether upcoming or
already established - are invited on such occasions . Sumadhur Hansadhwani also acts as a
forum for honouring
eminent artists such as Dr. Sumati Mutatkar, Ustad Asad
Ali Khan, Pt. Dev Choudhuary and Dr. Milokanday . We
hope we may be in
the position to provide financial assistance to needy
and deserving students.
After
a lifetime of dedication to music, Sumitra is not wrong
when she describes her evolution as a shift from the
search for technical mastery to an ever-deepening quest
for a realm where spirituality, philosophy and music
merge into a single dimension. Over the last decade, she
has completed the transition from a technically accomplished
singer to one who can utilise this technical expertise
as a means of delvering deeper, and not as an end in itself.
According
to her, she has always endeavoured to discover the
harmony of sounds as in nature and to 're-transmit'
these through the instrument of her voice. To her, as to
the ancient Indian Sages, these sounds - after which the
seven notes of the Sargam are named - embody the music
of the eternal, and she feels that with the passage of
years, she is coming closer to realizing that essence of
all religions.
In
the coming years, Sumitra wants to use her music to
scale further inner heights, as well as to convey some
of that bliss and sense of ease to her listeners. She
also feels that as an important aspect of music is its
power to instill harmony and love in the heart of the
listener, music could be employed as an effective tool
to further the cause of global peace.
At
bottom, Sumitra sings not solely for herself or for
lovers of music- she wants to sing for the Emperor of
Emperors', as Tansen is believed to have said of his
guru while accounting for the magical quality of his
music to Akbar. Coming from a person who has cleared to
her passion for music through thick and thin, it rings
true when she says, 'music is a matter of life and death
for me..... In fact, I exist because I sing'.
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